• Skip to main content
  • Skip to primary sidebar

Why Logic Pro Rules

A website dedicated to Apple's Logic Pro, the best Digital Audio Workstation out there.

  • Blog
  • About
  • Free Logic Pro Templates & Guides
  • Contact

February 7, 2018

Quick Start Guide: How to Record in Logic Pro X

How to Record in Logic Pro X

At the center of this whole crazy DAW universe is one important thing – recording.

For a moment let’s forget about virtual instruments, Flex, or Smart Tempo.

The ability to record drums, tubas or birds onto your computer is both fun and amazing.

With a microphone, interface and your computer you can paint a world in sound. That recording you got of a bird chirping can be thrown through an effects chain like a pinecone through a lawnmower.

And afterwards you might have the perfect sound for that new dubstep track you’re working on.

Or maybe you just want a stress-free session for the band you’re recording next week!

The great news is that Logic is fantastic for recording. The design and workflow makes recording about as hard as checking off items on your to-do list.

And even when do you hit a snag, Logic makes it easy to recover.

This post is the first of 2 that digs into my personal recording workflow. Here’s what’s on the itinerary:

  • Logic Recording 101: How to Make It All Work (Part 1)
  • The Perfect Settings and Modes For a Stress-Free Recording Session (Part 2)
  • Damage Control: What To Do When Logic “Stops Working” (Part 2)

Let’s dig in:

Logic Recording 101: How to Make It All Work

Logic Pro X Track Header Record Enabled

Recording in Logic is pretty straight-forward when you know where to look. Setting up your recording session really boils down to a couple steps:

  • Selecting your Audio Interface as the input and output device
  • Choosing the best Buffer Size
  • Picking an input on your Audio Interface for your Logic Track
  • Record-Enabling your Track in Logic, and
  • Hitting Record!

And once you’ve got the flow down, it’s really no thang at all.

Audio Preferences

Logic Pro X Audio Preference Menu

The Preferences menu is a place you’re going to want to get cozy with. In fact, I visit it on a daily basis.

Because if you want to get audio from the real world into your computer and back out, this is the place to make it happen.

To start, head to the top left corner of the Logic menu bar:

Logic Pro X Audio Preference Menu

What will appear is everything related to getting audio in and out of your Mac. And what’s we’re most concerned with is the Output and Input Devices.

Logic Pro X Audio Preference Menu

These terms are very straight-forward. An Input Device is the piece of gear that will be recording audio into your Mac. And the Output Device is the device that will playback your audio when you hit play.

So when you click on the Output Device field, you should see a list of connected devices:

Logic Pro X Output Devices

If you’ve connected your interface to your Mac, you should see it in the list. In the image above, you can see my Presonus Quantum interface listed as ‘Quantum.’

Now the cool thing is Logic allows you to choose different devices for both Input and Output.

So say you’d like to record with your interface, but listen back with your Macbook Speakers. You can! Simply choose your interface as the Input Device, and the Built-in Output as the Output Device.

Logic Pro X Input and Output Devices

But say you have headphones or monitors connected to your interface. In that case you’ll want to choose your interface as both the Input and Output Device:

Logic Pro X Same Input and Output Devices

I/O Buffer Size

Logic Pro X Buffer Size

The next step is to set the Buffer Size.

Think of the waiting room at the  Doctor’s office. You walk in, you say hello to the receptionist, and they tell you to take a seat. And depending on how many other people are waiting, you’ll have to wait.

(Have you ever not had to wait to see a doctor?)

Your Mac has a waiting room of its own, and that’s the Buffer.

Your Mac is performing hundreds of tasks all the time. To manage all these tasks, it needs a way to prioritize the most important ones and postpone the less important ones.

Logic’s priorities can change over time. When you’re recording, you want your Mac to see Logic as #1. But when you’re mixing, it can take a little more of a backseat.

Setting the Buffer Size lets you choose how important Logic should be to your Mac.

There’s 6 values to choose from. The smaller the number, the less time Logic has to hang in the waiting room. And the larger the number, the longer it hangs in the waiting room:

  • 32 samples
  • 64 samples
  • 128 samples
  • 256 samples
  • 512 samples
  • 1024 samples

So if the smaller numbers mean Logic’s more of a priority, why not just choose 32 samples?

Well, sometimes waiting is a good thing.

Logic Pro X System Overload Message
Hell is this message.

32 samples means Logic barely has to wait. If you have lots of tracks, this can crush your Mac’s processing. And the result will be a System Overload. Your Mac will choke under the pressure.

So you say fine, let’s choose 1024 samples just to be safe.

But at 1024 samples, you’ll run into Latency. Latency is an audible delay in playback or processing.

Ever record a singer who says that their singing sounds delayed in their headphones? That’s latency.

And latency can make recording impossible since the timing is all messed up between the singer and Logic.

Setting the Buffer Size is a dance. You’re aiming for the lowest Buffer Size possible without any hiccups.

System Overloads or pops and clicks in the audio are things to avoid.

Nine times out of ten I’ll use 128 samples for recording, and 1024 for mixing.

Assigning Your Track’s Input

Now that you’ve sorted out your:

  • Input and Output Devices, and your
  • Buffer Size

It’s time to connect your Track’s Input to your Interface.

Logic can’t always guess which input you want to record with. So it’s up to you to let Logic know.

It’s important that you’re familiar with your Audio Interface’s channels. For example, my Quantum has 8 mic/instrument inputs.

So if I plug my mic into Input 1, I’ll want to set my Logic Track to that same input.

To do this, select your chosen Track on the Arrange Page. To the left you should see your Track’s Channel Strip in the Inspector:

Logic Pro X Channel Strip Input

If you don’t see the Inspector, use Key Command I to reveal it. Or view the track in the Mixer using Key Command X.

Towards the top of the Channel Strip you’ll see a field labeled as Input. Click on this field, and Logic will show you a list of all the available Inputs you have from your interface:

Logic Pro X Track Inputs

Go ahead and choose the same input that you plugged your mic or instrument into. Now Logic is ready and waiting to record any audio from your chosen Input.

Arming Your Track

Even though you’ve told Logic which input you want to record with, Logic still needs to know when you want to record from that input.

By Arming or Record-Enabling your track, you’re telling Logic “I want to record this track.”

It’s simple, really. If you’ve got your Audio Device and Input set up correctly, your Track should have an “R” icon in the header or Channel Strip:

Logic Pro X Record Enabled Track

‘R’ stands for ‘Record-Enable.’ And by clicking on that icon, Logic is now listening and waiting to record that track.

Make sure to play or sing a little to double-check all is well! If you’ve followed the steps in this post, you should see a green signal on the meter:

Logic Pro X Meter

The goal is to get a nice, healthy level without hitting the red on the meter. A great level is between -12 and -3 dB on the meter.

If the meter lights up in red, your signal is too loud:

Logic Pro X Overloaded Meter

Logic can’t exceed 0 dB. It’s a fact we all have to live with. So any signal that hits the red will meet an unfortunate end.

That is, Logic will saw off the signal right at 0 dB.

The result? Distortion. Nasty digital distortion that will make your track sound like it’s going through a digital bee’s nest. This is typically not favorable.

Bottom line: Use the gain knob on your interface to turn that signal down below 0 dB on the Logic meters!

Record!

Ready to record some sweet riffs?

Hit Key Command R, and Logic will begin recording. Jam to your heart’s content!

And once you’re done, hit Spacebar to stop recording.

Conclusion: Part 1

In Part 1 of exploring Logic’s record workflow, we dug into:

  • Selecting your Audio Interface as the input and output device
  • Choosing the best Buffer Size
  • Picking an Input on your Audio Interface for your Logic Track
  • Record-Enabling your Track in Logic
  • Setting a healthy Level for your track, and
  • Hitting Record!

In Part 2, we’ll dig into more advanced tactics for a stress-free recording session 🙂

Free Mixing & Mastering Template Bundle - Why Logic Pro Rules

Enjoy this post? Spread the Logic Pro love:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Reddit (Opens in new window)

Related

Filed Under: Preferences & Settings, Recording, Workflow

Reader Interactions

Comments

  1. Edward says

    February 7, 2018 at 6:13 am

    Hi Chris,
    Any advice on recording delay settings?

    Reply
    • chris.vandeviver says

      February 7, 2018 at 2:06 pm

      Absolutely! I’ve got some thoughts for Part 2. But can you elaborate a little though? What kind of problems are you experiencing?

      Reply
  2. Melissa says

    March 26, 2020 at 9:56 pm

    Thank you so much for this tutorial. I searched the internet for a day and a half trying to find these instructions in layman’s terms for this noob. Im all set to start recording VOX and so excited. Appreciate it!

    Reply
  3. Noah says

    May 3, 2020 at 5:35 pm

    Really appreciate this info, I’ve been using Logic for a couple years now various projects and am still learning so much. Can anyone tell me how to turn up the gain as a whole for the master track when I’m mixing? It sounds nice and loud thought my headphones or the Mac speakers, but after exporting the file and airdropping it to my phone as an mp3, it always sounds so quiet on my phone or whatever device I play it on. I’ve always just assumed that adding a “gain” plug-in on the individual tracks would take care of the problem, but it only pushes the volume up in Logic. Why is this? How do I make the exported file sound loud and clear like the master ?

    Reply
    • Matt says

      February 18, 2021 at 6:33 pm

      I have this question too.

      Reply
  4. Elle says

    August 24, 2020 at 8:55 pm

    Hi! I am trying to record tracks from arcade that I play while I listen to my other tracks. Basically, I want to press play and record on a different track at the same time, so that I can place the sounds exactly where I want them the first time and tweak later. But every time I try, it doesn’t work! It won’t record in the region that is record enabled…Any suggestions?

    Reply
  5. Rutlemanic says

    January 1, 2021 at 11:58 pm

    When ever I select a track in the main window (for example to adjust some setting) and start play, the track becomes record enabled (bright red R) and that particular track plays back at higher volume. I’m not intending to record. How can I prevent this?

    Thanks

    Reply
  6. Amber says

    March 26, 2021 at 7:53 am

    I have all these settings and can’t seem to record anything. This feels so techy to me and I’ve done the steps that countless websites have suggested. In the channel strip there isn’t even an R button on it, or even a separate channel strip FOR recording, just the stereo out and the audio interface. When I press record there is just the red line and it picks up nothing. I can hear the audio in my headphones. I have the right input and outputs, DM is on. I’ve been sat here for two hours trying to figure out how to record! Surely it shouldn’t be this tricky…nothing in the forums have helped and I’m just so stuck. I’ve allowed access for Logic Pro and the microphone, I’ve checked everything…

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Free Template Sidebar

Plus – receive my Workflow Checklist. 10 tips and tricks to supercharge your Logic Pro workflow:

Search

Popular on WLPR

  • iLoud Precision MTM Speaker Review – 6 Months Later, Why I Love These Speakers
  • Logic Pro X System Overload Message Audio Engine Too Slow?
    Here’s 10 Ways to Fix Logic Pro X System Overloads
  • The 6 Life-Saving Tips For Mastering in Logic Pro X The 6 Life-Saving Tips For Mastering in Logic Pro X
  • Logic Pro X Flex Time Flex Time Not Working?
    3 Common Issues & How to Solve Them
  • Bussing in Logic Pro X How to Use Bussing in Logic Pro X to Super-Charge Your Projects

WLPR’s Top Recommended Gear & Plugins

Chris Vandeviver - Mix Desk

WLPR’s Top Recommended Gear

Who Am I?

Oh, hey. I’m Chris Vandeviver. Mix Engineer, producer, and Logic Pro fanatic.

Why Logic Pro Rules is a website dedicated to helping you get the best you can out of Apple’s Logic Pro.

Every week I post tutorials, answer questions, and share how to get the most out of Logic Pro.

  • Privacy Policy

"Logic Pro" is a registered trademark of Apple, Inc. “Why Logic Pro Rules" is an independent website and has not been authorized, sponsored, or otherwise approved by Apple Inc.


Copyright © 2023

 

Loading Comments...